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Nov. 24th, 2009

Quit you

Quit you

You used to lead the friendship dance and I would follow you
I never had to watch my feet for we had every step in sync
You held my head up high when confidence was not in place
Secrets rendered consequence and with consequence I start to think

I tried to quit you so all my wounds would quit me too
I tried to quit you so I’d be better for it too
I tried to quit you to be better for you too
I tried not to miss you and I failed at that too

I think I lost my way and on my twisted path found you
You were shy and sad and I wanted to make life better for you
I held your head up high when confidence was not in place
Secrets rendered consequence and with consequence I fell from grace

I tried to quit you so all my wounds would quit me too
I tried to quit you so I’d be better for it too
I tried to quit you to be better for you too
I tried not to miss you and I failed at that too

I don’t think you see me now
You didn’t see when I was right in front of you
I don’t think you know me now
You don’t know me but I think you’re trying to
I know that you would miss me too

If I quit you so all my wounds would quit me too
If I quit you so I’d be better for it too
If I tried to quit you to be better for you too
I won’t quit you if you think that would be better for us too

You don’t see me but are you trying to, are you trying to
You don’t know me but are you trying to, are you trying to
You won’t quit me but I can promise you, yeah I promise you
That I won’t stay unless you give me a reason to

Nov. 10th, 2009

I still don't know enough about you

I still don’t know enough about you

Lately my dreams don't make any sense
Like beautiful mad libs with so many blanks
There’s a yearning to fill them in for,

I’m not moving fast but my heart’s exploding through my chest
One million beats at the sound of your voice
One million more on every word you say
I know it’s not a race but I’m speeding up my pace
One million miles to the finishing line
One million more to see your pretty face

You must know that in my place,

I don’t close my eyes
I keep every step in stride
But something in my mind
Says I still don’t know enough about you
I’m falling way too fast
When so little time has passed
Let’s go somewhere, relax
So I can know so much more about you

I’m not romantic but I’ve been screaming out my lungs
One million notes about loving your eyes
One million more to carry all the way
South this border to the beautiful town you described
Down to the streets they’re calling out your name    
By your window as you wake to the world

I confess while I’ve been longing,  

I don’t close my eyes
I keep every step in stride
But something in my mind
Says I still don’t know enough about you
I’m falling way too fast
When so little time has passed
Let’s go somewhere, relax
So I can know so much more about you

Lately my dreams don't make any sense
Like beautiful mad libs with so many blanks
Please won’t you help me fill them in?

Nov. 8th, 2009

Not the movies

Knock knock la-la-logic, are you home?
If so, why'd you leave your old friend alone
With all the stupid boys who make some noise and lack a lot of substance
Like hey baby is their opening line
Followed by bla bla you're looking so fine
Translation-can I fuck you even though I know nothing about you

It's not the movies and your new bad boy ain't Heath Ledger
It doesn't move me how you hate exactly ten things about him
He'll never change and he'll never sing I love you baby

Tap tap, those boys wanna tap some ass
If you ask, they will say it's not like that
Do you think they really love you when the one thing that they're thinking of
Is bang bang, gonna tell all my friends
Knock her up for a romantic end
I'll land a deal with TLC when my young wife pops out twelve babies

It's not the movies and your new bad boy ain't Heath Ledger
It doesn't move me how you hate exactly ten things about him
He'll never change and he'll never sing I love you baby

Bang, bang then tell all his friends
Oh look, you're making excuses again
Tap, tap then it's TLC
He's the man you want raising babies
Pack, pack it's his cue to leave
You scream oh my fucking god why did he leave
You close the door, begin the cycle again
It never ends, never ends

It's not the movies and your new bad boy ain't Heath Ledger
It doesn't move me how you hate exactly ten things about him
He'll never change and he'll never sing I love you baby

Oct. 31st, 2009

Fast forward if we can't rewind

I never wanted snow to fall on my window
I never counted on the ticking hands of time
Can we cut to the part where I hold you
Or back to the moment you stole my eye
I will pull you in close say I missed you
Or hello because I never said goodbye

What if whatever you want darling
Was once here and you left it be
What if whoever you need baby
Is waiting back home, and back home whoa is me

I always hear our song play on the radio
I turn the music up, pretend you sing along
Can I go back to the day I heard you
Hit the notes that got my heart beating strong
I miss your voice, hearing you makes me smile
Soon I will dial because it’s been too damn long

What if whatever you want darling
Was once here and you left it be
What if whoever you need baby
Is waiting back home, and back home whoa is me

Can we flash forward if we can’t rewind
I’m sure you’ll find that we can find a way
If we dream of it we can do with it
Whatever it will take to find our way

So, what if whatever you dreamed of darling
Is right here where you left it be
What if whoever you need now baby
Is waiting back home, trying to make you see

Oct. 27th, 2009

The rest of the words

Sipping green tea
Thinking of you before I climb into bed
There’s a silence, oh there’s a softness
I lay awake watching the lightening bugs outside

Hey girl the summer’s gone
But do I belong to your memory

Drinking whisky
You would laugh at the stupid face I make
I’m not a drinker, so not a drinker
I am dizzy but in my mind I see you clearly

Hey girl the fall is here
I am hearing the same melody

It goes mm, mm-mm mm-mm
I drank the rest of the words to this song
It goes mm, mm-mm mm-mm
If you want the rest of the words come back
Where we belong

Oct. 18th, 2009

Turning gray skies blue

 



Hey girl, it’s time to turn that frown around
Sing this cheesy song when life’s got you down
Sing I love myself and it feels so good to love myself
Hey girl, you’re looking way too serious
Laugh aloud cos life ain’t that serious
Sing I love myself and it feels so good to love myself

Now I know, I know, I know you got a lot on your mind
Seems these days a good man is too hard to find
But please don’t, please don’t, please don’t get lost in the crowd
Sometimes you just need to stop and scream out loud

Hey girl, it’s time to turn that frown around
Sing this cheesy song when life’s got you down
Sing I love myself and it feels so good to love myself
Hey girl, you’re looking way too serious
Laugh aloud cos life ain’t that serious
Sing I love myself and it feels so good to love myself

Wait back up, back up, back up, girl if you don’t catch my drift
Those stupid boys, don’t try and make sense of them
You don’t need to, need to, need to have them all figured out
Time to go with the flow and flush out the doubt

Hey girl, it’s time to turn that frown around
Sing this cheesy song when life’s got you down
Sing I love myself and it feels so good to love myself
Hey girl, you’re looking way too serious
Laugh aloud cos life ain’t that serious
Sing I love myself and it feels so good to love myself

All you need to turn those gray skies blue
Is to throw out all the logic you thought you knew
All you need to turn those gray skies blue
Is to love your life and don't let love get to you



Oct. 10th, 2009

See you today

I don’t believe in luck but I threw a penny into a wishing well
Hoping a magic spell would bring me
Luck like a clover, I don’t want to get over the absence in my place
Don’t want to erase the mark you placed
I’m waking up and I’m thinking that

I’ve been here before
But I want nothing more than to see you today just to say,
Hola, bonjour, konnichiwa, bonita, como estas?
I wouldn’t have it any other way

I don’t believe in fortune tellers but I would want one to tell me
That the stars compel me to follow
My heart even if plans fall apart because the path leads right to you  
Stars, let my luck be a rendezvous
I’m falling asleep and thinking that

I’ve been here before
But I want nothing more than to see you today just to say,
Aloha, bounjour, ni hao, bellissima, come sta?
I wouldn’t have it any other way

I don’t believe sadness so I drew you the place I would rather be
Here in your arms I’d be watching the
Sun set on silence, I don’t want to be silent on the words you need to
Hear, there’s no more fear, it’s all too clear
I’m seeing your face and knowing that

I’ve been here before
But I want nothing more than to see you today just to say,
Hola, bonjour, konnichiwa, bonita, como estas?
I wouldn’t have it any other way

I wouldn’t have you any other way

Oct. 5th, 2009

Mr. Sun's breakup

Mr. Sun's breakup

Colder, at least that's how she says it's been
Since Mr. sun packed his bags for the southern states
A nasty break up, no room for make up, he left his frosty air behind
Older, at least that's how I'm feeling when
I have no desire for the leaves outside
Maybe I'll retire to Florida and tell Mr. Sun to burn my behind
If he can catch me, playing under the palm trees, with my friends the monkeys

Oct. 1st, 2009

Where in the world

Where in the world

Lie to me because I know you can’t
About what was there when you were here
I had no fear, just a lack of confidence
Look for me if it’s worth it to care
And with open arms I will be here
I’m sick and tired of fearing consequence

Where in the world are you today
What place do you now call home
If you ever feel the need to call
I won’t wait to pick up the phone

Sing today if it’s hard to smile
Know that you can make it anywhere
I heard you singing your soul with confidence
Dance on girl go dance on to your dreams
And all the while I will be here
I saw you dance, lucky in your presence

Where in the world are you today
What place do you now call home
If you ever feel the need to call
I won’t wait to pick up the phone

This is here and now
But you are neither here or now
Am I selfish now
By wishing you were here right now

Where in the world are you today
What place do you now call home
If you ever feel the need to call
I won’t wait to pick up the phone

Sep. 21st, 2009

Clay stranger

Clay Stranger

The day my friends taught me how to smile
I forgot the lies and learned all the while
I was someone with something to live for
The day I dropped my guard to be selfless
I learned I was really never that selfish
When I’m home I can’t feel that anymore

I know I’m home but I can’t feel it
My bones can’t move a mouth with words stuck in it
I wonder how long I can stick with it
I know I’m home but there’s no sweetness
If I bring back trophies I’ll feel defeated
No wonder why I lack completeness
A clay stranger in a kettle house

Sometimes it’s okay and I can pretend
I can act like myself when I’m around them
Till they spy my weakness and scoff at me
Sometimes it’s just fine and there is laughter
That falls short from a happily ever after
I laugh too soon they turn the joke on me

I know I’m home but I can’t feel it
My bones can’t move a mouth with words stuck in it
I wonder how long I can stick with it
I know I’m home but there’s no sweetness
If I bring back trophies I’ll feel defeated
No wonder why I lack completeness
A clay stranger in a kettle house

I won’t quit me even if they quit me
I’m on my own and that life fits me
Even if I’m living in their house
I won’t quit me even if they quit me
I have my friends and that life lifts me
One day I will leave this kettle house
I’m the only one who can mold me now

Sep. 14th, 2009

Lovely

She sees her image in ripples in the water
Wondering what shed look like on the other side
She’s just a ghost searching for yesterday’s smile
She’s slipping past the compliments and lets praise slide

No, you’re not who you want to be
But I know who you are to me
You’re lovely, so lovely
You’re stronger than you think you are
Pack these words when you travel far
Knowing you, I’m lucky

She sneaks teardrops in the shadows to cry alone
Wondering how long she’s been oh so far from home
She’s a dancer on stage trying to find her feet
She knows that when she does the moment’s still bittersweet

No, you’re not who you want to be
But I know who you are to me
You’re lovely, so lovely
You’re stronger than you think you are
Pack these words when you travel far
Knowing you, I’m lucky

 




 

 

Aug. 17th, 2009

Bad Person

What if I just walked away
While your troubled life was tumbling down
What if I missed all your calls
When I promised I would be around
What if you fucked you and I told you I loved you
And left your bed without saying goodbye
Would you keep on living in my lie?

My comfort words that go to waste
Will thwart you to an awful taste
Here marks the ground in goes your face
Looks like I’m a bad person now

Let’s say I lied to your eyes
Little did you know you weren’t “the” one
Living life inside a disguise
Lately this choice has been so much fun
Let’s say I cheated till my options depleted
And I went on misdirecting the blame
Would you end up forfeiting my game?

My comfort words that go to waste
Will thwart you to an awful taste
Here marks the ground in goes your face
Looks like I’m a bad person now

The signs now exist like crop circles
But you still don’t know when they landed
Now you sit and stare, do you really even care
Take a picture, it will last in discomfort
The signs now beat you with bare knuckles
But you still cover up the bruises
Now you sit and cry, do you even know why
Run away, it’s in your best interest

His comfort words that go to waste
Will thwart you to an awful taste
Here marks the ground in goes your face
Can't you see he’s a bad person now?
 

Aug. 4th, 2009

Really man

She’s not a victim, a damsel in distress
Hey Super Pothead man, your powers cause her stress
She doesn’t love you, I’ll put your fears to rest
It’s your kryptonite bitch, and she couldn’t care less

Really man
You know your life is really silly man
You want to hop a plane for love
Hop one to Philly man
Really man
You know this state gets really chilly man
You say you want to freeze for love
Go freeze in Philly man
Cos she likes you-far away
Now really man-stay away

You’ve got some big plans, but where’s your strategy
She’s got her own mind man, you think in fallacy
There’s a difference between love and obsession
What you feel is nothing more than indigestion

Really man
You know your life is really silly man
You want to hop a plane for love
Hop one to Philly man
Really man
You know this state gets really chilly man
You say you want to freeze for love
Go freeze in Philly man
Cos she likes you-far away
Now really man-stay away

You’re not running out of time
Time ran out the day you met her
You won’t sweep her off her feet
Sweep your mess and then forget her

Really man
You know your life is really silly man
You want to hop a plane for love
Hop one to Philly man
Really man
You know this state gets really chilly man
You say you want to freeze for love
Go freeze in Philly man
Cos she likes you-far away
Now really man-stay away

Jul. 23rd, 2009

Wish you were here (the journey continues)


The other day I received praise for my short story "Wish you were Here" from Mary Pat Bigley and the head of the CCSU English department. They read it in Otto, Tunxis Commnity College's annual literary magazine.  I am still very humbled by the positive feedback I've received from Professors, my friends and even my parents. I am seriously considering submitting this story to a bigger literary magazine or contest. But before I do, I'd  appreciate your criticism on anything I need to do to fine tune this story.


Wish you were here
By Tristan Mason

I love family vacations. I love waking up at six in the morning so dad can drive us to the cactus fair. I love marveling at the finest cacti of the southwest. Dad has picked out the perfect postcard for grandma, one with a winking cartoon owl perched in a Saguaro cactus. This is what she really needs right now. I know she’ll look forward to hearing from us. Our message should read something like this:

Greetings Grandma Nash!

I don’t know how well you can read on account of the lesions eating your face, but we’re thinking of you! Sorry about the blood transfusion. They should screen those things! Well, while you’re deteriorating a thousand miles away, please think of how much fun we’re having at the cactus fair. Wish you were here! Well, not really.

Love,

Bill and the kids

I chuckle, reading over my scribbles on the hotel restaurant napkin. The cactus fair postcard sits right next to it. Dad has assigned me with composing the thoughtful message to Grandma Nash and I’m tempted to use my own version. The owl’s wink gives me the go ahead.

“You look amused,” Nikki says, taking a seat next to me. I met her last night at the hotel pool. I wouldn’t have figured her for a tomboy but this morning’s ensemble of cargo pants, a wrinkled hoodie, and her messy red hair under a Colorado Rockies hat tell me otherwise.

“Yeah well,” I say, quickly picking up the napkin. “Just doing some creative writing.”

She smiles and then squints her eyes. “You don’t want me to see.”

“No, it’s not that,” I reply, scratching the back of my neck and averting my gaze from her shamrock green eyes. “It’s just kind of-”

“Dirty?” Nikki smirks and then leans into the table.  I can’t help but notice how her freckles scatter in perfect symmetry with her lips. “I don’t mind if it’s dirty.”

I mumble the words “I figured that” and she smacks my arm and snatches the postcard from my hand.

“Dear Grandma Nash…”

Her eyes widen as she skims over the first line. My chest begins to tighten. It tenses with the increase of her glance. She is probably shocked, appalled. No, horrified. She would never make light of a situation like this.

“I-wasn’t going to send it to her.”

She looks at me with a stoic face.  The Indians I saw at the Trail of Tears reenactment looked this way. No anger, no disgrace, no disgust, just a blank stare. She thinks I’m the worst person in the world.

“I-I wrote that because my father is an inconsiderate…” Nikki pays no attention to my trembling voice and reaches into her pants pocket. She lays a stack of postcards on the table.

“My mom makes me do the same thing.” I look down at the postcards and back up at her face to find any sign of emotion. “I love it!”

I sigh and let out a still uncertain laugh.  She gives me the same smirk and folds her hands like an Indian teepee.  Her freckles let me know that she senses my nervousness.  The way they seem to scatter in a different place every time I turn away from her. “I have to write the real one soon or my dad is going to be pissed. I still have to do some for my other relatives. Jesus…how many do you have there?”

“Too many.” Nikki crosses her legs and slides the cards across the table. Grand Canyon, Petrified Forest, white water rafting: she’s been out here a lot longer than I have.

“Who should I write to first? My gay uncle or my suicidal aunt?”

“Suicidal aunt. Definitely.” I know where she’s going with this.  The small glint in her shamrock eyes lets me know.  It’s the same glint the stupid postcard owl gave me.    

“Ooh good choice.” Nikki reaches for the Grand Canyon post card.  “I’m taking your pen.”

“Hello from up here!” Nikki retains her composure as she writes and I begin to laugh uncontrollably. The gentlemen sitting at the table across from us looks up from his newspaper and donuts. His kids play quietly with their food.

“We’re looking out at a lovely view of colorful rock formations and it makes us think of you. Remember the time you tried to jump out of your apartment building and forgot you lived on the first story and landed in a bush?”

Nikki begins to stumble over her words. “You would-you would not miss-stop laughing Connor, you’re messing me up! You would not miss here. But I doubt you’d jump since you’re afraid of heights!”

We both barrel over the table in laughter. Our laughs are so high that they pierce our throats with a shortness of air. My laughter is cut short when I imagine her aunt falling off the Grand Canyon and gasping for breath. Before I can picture a giant Saguaro cactus breaking her fall, Nikki grabs onto me with both hands and tells me she can’t breathe anymore.

The guy sitting at the table across from us gets up to leave with his children. His little boy asks if he can jump off the Grand Canyon.

After Nikki catches her breath, she continues to pen her masterpiece. “It’s not too late to fly out here with the money you won from your divorce settlement. I’m sorry I haven’t been a better sister to you these past few years. But I’d rather take long vacations because I can’t stand to be around you. But seriously, if you ever want to make a real suicide attempt, this is the place.  Wish you were here! With love, Jane, Nikki and Allison.”

The other hotel guests have cleared out in time for mid-morning bingo.

“Question.”

“Yes?”

“Was that your mom talking or you?”

Nikki pauses for a moment and exhales slowly. “A little bit of both. My mom is never there for my aunt. But at the same time, my aunt never actually kills herself. I’m so sick of them.”

“That’s understandable.”

She looks down at her stack of postcards and taps on it with her index finger a few times.  The glint in her shamrock eyes has disappeared. “You want to do one now?”

“Okay,” I say, pulling out the Trail of Tears reenactment postcard. It’s another cartoon postcard, featuring four smiling Indians with bright red skin. They’re walking happily together, arm and arm, down a desert road. I wonder if they’re looking for the wizard. “College dropout brother or his illegitimate son?”

“I’d rather hear about your brother.” Nikki folds her hands and leans into the table. “No, not on the napkin, write it on the postcard.”

My dad spent five minutes picking out the perfect card. For him, happy Indians reflect a happy family. I can’t wait to destroy it.

“Hey, Bobby!” Nikki crosses her arms and waits for me to pick up the pen. When I start to write Bobby’s name, I press down the pen down and drag it hard enough to almost tear the card. “I hope everything is going well with your new girlfriend, your new apartment and your new minimum wage job. Thank you for calling as much as you have. Thank you for remembering birthdays and Christmas presents. Thank you for stopping by the hospital to see your new baby sister. Thank you for never asking us for money so you can do something useful for society like coke deals in Staten Island or screwing enough girls to spread the same virus that’s killing your grandmother you remembered to visit.”

Some of the old people in the room turn away from their bingo cards to watch me. Every word is written faster, harder. I don’t even bother to notice Nikki’s reaction.

“You know what’s funny Bobby. I learned here that the thousands of Indians forced to relocate from their reservations died of starvation and disease. Well, that’s not the funny part, but it was funny when I thought of you starving if dad had the guts to stop giving you the financial aid you don’t deserve. I thought of you wandering the streets of New York like those Indians wandered, begging for the very food you were practically spoon fed your entire life. I thought of your belly empty, the same way you left us empty. I don’t wish you were here but I wish you would suffer the same fate as those Indians. Rot in hell- your brother and neglected family.”

A few more old people in the room are watching now. I am more entertaining than their daily dose of soap operas. Nikki tells me, “I think we should send these. They need to hear this. Your brother needs to hear you. My aunt needs to know how selfish my mom really is. Your grandma needs to-”

“No way,” I say, getting up from the table and grabbing my cards. “They don’t need to know, Nikki. You can do what you want, but I’m not sending those. It’s crazy. This was a bad idea.”

Nikki starts to shiver. Her shoulders rattle forward, faster and faster, up and down, like the tail of the rattlesnake I saw at the Montego animal show. I have a postcard for that too, with a similar looking rattlesnake on the front. I planned on writing that one for my Uncle, the animal trainer. He’s too busy traveling the world to visit his dying mother. I would have wished him here for an unfortunate accident.

“Nikki, are you okay?” The old people, convinced they’re viewing a live-action soap opera, watch me rush over to her side, and stand there, not knowing whether or not to grab onto her to try and stop the shaking. “Someone get help!”

She grabs onto her shoulders and squeezes to regain control. Her breathing decreases the same way it did when we were laughing. It starts with rapid panting and then dry gasping. It’s the same way I imagine her aunt gasping for breath before the large Saguaro cactus pierces her fall.

Her freckles turn into small flames that scatter farther across her face as she twists and turns in her chair, trying to consume whatever air she can still feel through her quivering lips.  These flames are like the ones that burned down my brother’s apartment last Spring.  I wonder if he feared the fire burning his face this way.

Nikki’s face starts to drain to a ghostly white and can no longer gasp. It’s the same ghostly white face I saw in the Indian spirit paintings at the art museum: eyes open wide enough to see the veins pumping blood, the mouth open too, but not wide enough to swallow any air. I have a postcard for the museum somewhere. I would have sent this to my sister-in-law, the aspiring artist. I would have wished she were here for a reality check.

Her shamrock eyes call out for me the same way my grandma’s did when my dad saw her in the hospital last month.  Like my dad, I stand frozen too.  I stand frozen while an old man rushes to Nikki’s side to try and calm the rattling. I hope he’s a doctor.

The paramedics arrive in time to take Nikki to the hospital. Her postcards scatter on the table. Carlsbad caverns, Mt. Guadeloupe, Nikki wasn’t dragged out here with her family like me. She came out here to see the world while she was still healthy enough to do so. I pick them up slowly and watch her leave the restaurant on a stretcher. Upstream flyfishing, Santa Fe opera, Nikki told the truth on postcards long before she met me.

On a Phoenix sight seeing tour postcard, she tells her ex-boyfriend of all the miles she traveled and all the places she visited that made her happier than he could ever dream to.

On an Indian reservation postcard, she wrote to her mom’s boss to tell him that she would rather be dead than work at the hot dog factory another day. She signed it Jane, Nikki and Allison.

On the Santa Fe opera postcard, she thanks her private music teacher for putting up with her “nasally” singing for the past five years. She tells her that the opera “wasn’t so bad.”

On a Colorado Rockies post card, she tells her big brother that she loved her first baseball game.  The Rockies beat the Padres six to five and she never screamed that loud in her life, not even at the Greenday concert.  She attached a picture of her hugging Dinger, the purple triceratops mascot.  Her younger sister Allison is clutching onto Dinger’s leg. They both smile with their eyes closed. 

On the flyfishing postcard, she tells her grandfather of the giant rainbow trout she caught.  It almost looked like the one he painted for her room.  She let it go because it was too pretty to eat.   

On the white water rafting postcard, she tells her best friend Crissy that she would have loved to see her tip over the canoe a thousand times. She tells her that she misses hanging out with her at summer camp and having sleepovers every night and talking about boys. She promises her that she will make it back in time for school if her T-cell count is high enough.

Every postcard ends with a different variation of the words “Wish you were here.”


 

May. 28th, 2009

Bad, bad thing

Late last night, ‘twas late last night
Some chocolate kisses and some pillow fights
Snuck through your window because you said it felt right
Late last night, ‘twas late last night
I knew in the morning you would take flight but
Snug in your bed that’s when we knew that was all right

Cos we did a bad, bad thing
But how bad is that thing knowing what tomorrow brings
A bad thing, yeah a bad, bad thing
But how bad is that thing knowing how it makes you sing

Early morn, ‘twas early morn
Left me to my pillow and never warned
Drove my car real fast and looking back I felt torn
Early morn, ‘twas early morn
I knew in the morning you would take flight but
Snug in your bed I wish I said I felt so torn

Cos we had a good, good day
But how good is that day knowing things didn’t go your way
A good day, yeah a good, good day
But how good is that day knowing the price we have to pay

Here we go one more time
Good or bad we’re wasting time
And just as long as we’re feeling fine
We’ll let that bad, bad thing
Be our bad, bad thing

May. 1st, 2009

Constant

She’s got the why but she doesn’t know
She’s got a need she tries not show
She’s going to wait and let things flow
I only know that I’ve fallen for her grace

The variables move but they don’t add up
I think I’ve figured you out I haven’t figured enough
I have a friend to gain if we don’t add up
Well I think I figure now that I could be your constant

I got the words while I’m so tongue-tied
I got the urge but my brain is fried
I got the moves but I can’t decide
She doesn’t know how I’ve fallen in this place

The variables move but they don’t add up
I think I’ve figured you out I haven’t figured enough
I have a friend to gain if we don’t add up
Well I think I figure now that I could be your constant

 

Apr. 25th, 2009

Haikus in sandcastles

I say come on let’s
Write haikus in sandcastles
Till they wash away

Forever, always
Just like the sunset will wait
For another day

Because I got to get
Some rest from this ocean play
How I loved this game

The waves were biting
Hard with the jelly fish sting
Where the seagulls sing

For ever, never
Will these memories sever
Loose from my sweet dreams  

And now I got to get
Some rest from this ocean play
How I loved this game

Apr. 11th, 2009

With blinders on

Your point of view is very black and white
But seeing those two colors makes you so uptight
Was being two good friends less important than being right?
Maybe I should walk around with blinders on
God knows you walked around with blinders on
 
You can go hide your eyes with a pair of shades
And it will be okay, you will be okay if the sun comes out today
But oh wait-I forgot that you’re a fan of the rain
You can open your to ears to the sights and sounds
And I will be around, if you come around this time to hear me out
But oh wait-I forgot that you filled your ears with doubt

Your place in mind places me very low
But in seeing my perspective you are so slow
Is the anger you keep inside all that you want to know?
Maybe I should walk around with blinders on
God knows you walked around with blinders on

You can go hide your eyes with a pair of shades
And it will be okay, you will be okay if the sun comes out today
But oh wait-I forgot that you’re a fan of the rain
You can open your to ears to the sights and sounds
And I will be around, if you come around this time to hear me out
But oh wait-I forgot that you filled your ears with doubt

Ladidadada with some blinders on
I want to walk around with some blinders on
To bump into what you never did see
Nanananana with some blinders on
I should run through traffic with some blinders on
Playing Frogger blind must be so much fun
 
You can go hide your eyes with a pair of shades
And it will be okay, you will be okay if the sun comes out today
But oh wait-I forgot that you’re a fan of the rain
You can open your to ears to the sights and sounds
And I will be around, if you come around this time to hear me out
But oh wait-I forgot that you filled your ears with doubt

Apr. 5th, 2009

I think I know I’m sure

I think she washed up on the shore
A bottle with some words inside
Some letters from her traveled past  
With no directions to her heart

I know all I really know is your name
I know, I know

You’re more
You’re so much more than meets the eye
What more
What more to you lies deep inside
There’s more
I think I know I’m sure there’s more
 
I think she likes the place she’s in
And where it is she wants to be
These letters from her traveled past
May one day lead her right to me

I know all I really know is your name
I know, I know

You’re more
You’re so much more than meets the eye
What more
What more to you lies deep inside
There’s more
I think I know I’m sure there’s more

She thinks I’m insignificant
A mere boy searching mystery
This path has holds so many gaps
I need a map to her history


You’re more
You’re so much more than meets the eye
What more
What more to you lies deep inside
There’s more
I think I know I’m sure there’s more


Oh you don't know who you want to be
Can you show me who you are before you
Go and change to who you want to be
I need to know much more than your name

Mar. 4th, 2009

Your body language part 1

I often talk about reading body language because it's something that interests me and comes very easily. Ever since I was little, I knew there was a big difference between what people say and what they mean. If you want to see a person for who they say they are, listen only to their words. If you see a person for who they really are, listen to their words but watch their body language too. But before you can do any of this, you must be conscience of your own body language. Your body language is what makes you approachable or makes people keep their distance from you. How much do you know about your own body language?

Your hands/arms

The hand-talker: 
When you are talking to someone, what are your hands doing? If you're a hand-talker like me, you know that your hands are moving, but do you know why? Hand-talkers tend to use their hands to emphasize certain words, phrases, concepts, or emotions. A hand-talker might extend both hands to show you how big something was (like how fat the lady was at the mall) or how big the point is that needs to be made (like you have to take a chance and ask this girl out). Most of the time, hand-talkers don't know which way there hands are moving because it comes naturally. To most people, hand-talkers are quite entertaining and make you more likely to use your hands to.

The donts of hand-talking: For the most part, hand-talkers are entertaining and make conversations more enjoyable. However, some develop some nasty habits. The most common nasty habbit of a hand-talker is the interrupting hands. You probably have experienced this: when you're talking, a hand-talker throws his or her hands out in front of your face in a shove-like position and follows that up followed by an "oh-oh." This person doesn't care about what you have to say, because they are so excited to make a point. If you do this, it doesn't matter whichever way you move your hands, no one is going to want to talk to you because you are almost literally shoving them aside.

Dead Hands: I don't know what it is about Connecticut, but I've met quite a few people who don't use their hands when they talk. For a lot of people, hand-talking does not come naturally or some appealing. If you're not a hand-talker, you might fold your arms when you talk or put your hands in your pockets. These positions project negative body language. Crossing your arms often signifies disagreement or discontent to people. You may argue that you do this for comfort, but subconsciously you fold your arms when you disagree with something someone has to say. Putting your hands in your pockets more often than not signifies discomfort. When you're outside on a cold day, you place your hands in your jacket or pants pocket to find warmth. This notion is the same in any social situation where you put your hands in your pockets. You do so because you feel uncomfortable and you're looking to find comfort. 

The Solution to Dead Hands: Unfortunately, negative body language leads to negative rapport. If you fold your arms in a conversation, the other person is bound to do the same, and the conversation will not be enjoyable. If you're not a hand-talker, practice using your hands little by little. You don't start out with big, exaggerated motions, because that will come off as unnatural. Start by making small hand movements to emphasize words, phrases, concepts or emotions. With open palms, move your hands in whichever direction feels comfortable to you. In short time, you'll develop your own pattern of hand-talking. Once you develop a pattern of hand-talking, you will find that your convserations become more enjoyable.

If you think you've already heard this before, you have. These are universal rules of body language after all. The big rule here is if you want to be a more engaging conversationalist, use your hands and move your hands in a way that feels natural to you. Next time, I'll write about eye contact and body language anxiety.

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